This course aims to provide a "how-to" of American Studies from an integrative, multiracial, and socio-cultural perspective. Taking U.S. American cultures as a site for testing classic and contemporary theories about how society works, this seminar in American Studies serves to introduce resources and techniques for interdisciplinary research. Students will be exposed to and experiment with a wide range of current theoretical and methodological approaches applied in American Studies and contributing disciplinary fields. The goal of the course is not only for students to develop knowledge of main currents in the field of American Studies but also to become practitioners through a series of assignments that will permit students to exercise their newfound skills. For instance, as students develop rhetorical analyses, describe and evaluate visual culture, or conduct and analyze interview data, they will also examine themes such as national narratives, civil rights and immigration, and the historical and social meanings of work, discipline, and justice.
AMER_ST 310-0-20 The Jazz Age: Love and Art in the 1920s
In "Echoes of the Jazz Age," F. Scott Fitzgerald wrote that "it was an age of miracles, it was an age of art, it was an age of excess, and it was an age of satire. " During the cultural crisis of Modernism, when a variety of intellectual revolutions and the unprecedented carnage of the Great War suggested that Western civilization was either a sham or doomed, writers and other artists created new literary forms. Their aesthetic innovation often depicted art and love (or sex) as parallel (or contradictory) ways to create meaning the wasteland of Modernity. In this class, we will read and discuss canonical, lesser-known, and popular texts of ‘20s in order to explore how these revolutionary writers saw love and art in their own time and, maybe, in the future.
What are viruses? Are they living or dead? How does news media affect their influence on the world? And why do we say news "goes viral?" Designed for Medill and non-Medill students alike, Viruses and Viral Media will study how viruses intersect with race, sexuality, disability, economics and the news media. Historically and contemporarily, the course will look at how actual viruses and infectious diseases (such as tuberculosis, HIV/AIDS, Ebola, Hepatitis C, influenza and SARS-CoV-2) have been covered in the global press. We will consider how certain groups of humans have been depicted as viruses themselves, such as how Jewish/disabled/queer/Roma people were described by the German and US press circa WW II; how African Americans were described in the US press circa Jim Crow; and how Muslim, Mexican and migrant people are described in press and social media now. We will also consider how and why popular news "goes viral." Students will work in research groups to study viruses and virality in the news throughout the term.
The purpose of this course is to provide a framework within which you can pursue your own interests and develop your own ideas, rather than to introduce a series of texts or a corpus of concrete information. This course is a hybrid of the research seminar and the writing workshop, and we will confront the challenges of both researching and writing in a collaborative manner. To that end, some of our sessions will be devoted to reading and responding to one another's work. While it can be difficult and intimidating to publicly present your work, and to publicly critique or question another's work, we will undertake both in the spirit of support and assistance in the hopes of creating a community of researchers, writers, and scholars. Becoming a careful reader, responder, and recipient of constructive criticism are invaluable skills that fundamentally inform the process by which virtually all scholarly work is produced.
